The atmospheric sounds that John Surman creates on his horns has been a major asset to the ECM label ever since the late 1970's. One of England's top jazz players of the past 30 years, Surman is particularly strong on the baritone. Surman played in jazz workshops while still in high school. He studied at the London College of Music and London University Institute of Education in the mid-'60s. Surman played with Alexis Korner, worked with Mike Westbrook until the late '60s, and recorded with him until the mid-'70s. He was voted best soloist at the 1968 Montreux Festival while heading his band. Surman worked with Graham Collier, Mike Gibbs, Dave Holland, Chris McGregor and John McLaughlin in the '60s and toured Europe with the Kenny Clarke/Francy Boland big band in 1970. Surman toured and recorded with Barre Phillips and Stu Martin in the late '60s and early '70s, and again in the late '70s, adding Albert Mangelsdorff to the group. They called themselves the Trio, then Mumps. Surman played with Mike Osborne and Alan Skidmore in the sax trio SOS in the mid-'70s. He also collaborated with the Carolyn Carlson dance company at the Paris Opera through the mid and late '70s. Surman recorded with Stan Tracey and Karin Krog, while working with Miroslav Vitous and Azimuth. He led The Brass Project in the early '80s and played in Collier's big band and Gil Evans' British orchestra. Surman toured with Evans again in the late '80s. He began recording as a leader for Pye in the early '70s, and did sessions for Ogun and ECM. Surman continued recording in the '80s, mostly for ECM. He worked with Terje Rypdal, Jack DeJohnette, Pierre Favre, Bengt Hallberg, Archie Shepp, Warne Marsh and Red Mitchell among others. Surman has made many recordings for ECM, spanning from free form to mood music, and he remains one of the label's most consistently stimulating artists.

© Ron Wynn, All-Music Guide


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